SCRIPT
EARLY LIFE to LUCAS
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Ben Burtt was born in Jamesville New York in 1948
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Graduated with a major in physics
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Very keen film maker and in 1970 won the national student film festival with
his war film Yankee Squadron
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Went to the University with the intention of becoming a director
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Despite this, in an interview he said “I never grew up thinking I would be in
the movie industry”
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“I wanted to be a scientist and studied for a degree in physics”
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“I began making movies with my fathers movie camera when he was 10 and he
always tried to make his own soundtrack”
“I loved to listen to my favorite movies and
shows with headphones on, and I got very interested in how sound was connected
to the imagery of a movie”
It
was not until 1968, when Stanley Kubrick’s 2001: A Space Odyssey came out, that
Burtt realized that he could combine his interests (physics and film). The man
who was later to make him Hollywood’s first real sound designer.
GEORGE LUCAS
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Burtt attended the
University of Southern California film school to pursue a master’s degree in
production. He received a student job, cataloguing the Columbia sound library, this was where he developed a keen interest in
special effects, sound and editing. George Lucas had gone to that school a few years before
Burtt, and in an interview with Time Out magazine, Burtt goes on to say “when
George started ‘Star Wars’ he was looking for some young students to come on
and create sounds. He called up the school and my name was handed to him, and I
went and had an interview and the rest is history.”
First sound designer
In an interview with FilmSound, Burtt was questioned about his position
of possibly being the first ‘Sound Designer’. He elaborated that
“The term sound designer has gotten usage in the last
decade really since the Star Wars films began a new interest in creative soundtracks
in motion pictures. I called myself a sound designer because I wasn't
really functioning as a production recordist, or a sound editor, or just a
sound mixer. I did some of the job that all three of those people might
do. But I was able to follow through from the point of production of a
film. That is I can go out and advise and make suggestions about things
that could be recorded once I'd seen the script of the film.
STAR WARS
"Star Wars" opened in theaters on May 25, 1977,
and the following year, Burtt's aural inventions were honored by the Academy of
Motion Picture Arts and Sciences. He received a Special Achievement Award for
sound effects, for the "creation of the alien, creature and robot voices."
Here are some examples of the
sound designs he did for the Star Wars saga starting with the Laser blasts.
R2D2
For R2D2, initially Burtt
wanted to record babies and somehow alter their sounds, but it was hard to
persuade the babies to perform properly. [SEE QUOTE ON BOARD].
So out of necessity, he
started making babylike noises himself then combining those sound with the
electronic noises he had been making.
Burtt states “ I put myself
into the mind of an infant and acted out a scene with a droid’s intentions. I’d
whistle and coo, I would sign and groan, and at the same time I’d move the
oscillators of the synthesizers.”
OTHER SOUND EFFECTS
Other poignant sounds Burtt created for
Star Wars was Darth Vader’s breathing in which Burtt recorded his own breathing
through an old Dacor scuba regulator. The Imperial walkers stomp was a edited
recording of a machinist’s punch press and the character Chewbacca is
constructed of animal noises, mainly walruses.
TECHNIQUES
-He says hes been collecting sounds for years and putting in sounds from
the real world creates the illusion that these fantasies are credible
-Always gathering sounds, he carries a recorder with him wherever he goes
ACCOLADES
Star Wars launched Ben Burtt’s career as a
prolific sound editor and sound designer at Lucasfilm, where he was on staff
from 1975 until 1990. While there, he lent his sound design and effects
expertise to films including "Star Wars: Episode V -- The Empire Strikes
Back," "Raiders of the Lost Ark," "E.T. the
Extra-Terrestrial," "The Dark Crystal," "Star Wars: Episode
VI -- Return of the Jedi," "Indiana Jones and the Temple of
Doom," "Willow," "Indiana Jones and the Last Crusade"
and "Always." During his 15-year tenure at Lucasfilm, Burtt earned
eight Oscar nominations. He won for "Star Wars," "Raiders,"
"E.T." and "Last Crusade."
LEGACY
Burtt has a keen ear for the compelling
sounds.
Normally, one only perceives a sound effect
on a subconscious level. Every time you see some action on the screen, you
expect there to be a complimentary sound, appropriate to the image and its
emotional context. Burtt’s skills go far
beyond this: his sounds often literally tell a story and they bring pleasure in
themselves.
Ben Burtt is now working on the sound
design for the upcoming film Star
Wars: Episode VII
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