Tuesday, 4 November 2014

PROJECT #2: Interview


Aim/Objective:

- You are required to submit a three-minute edited interview with a single individual of your choice for presentation on local radio. You must choose someone who you feel has something to say to the Brighton & Hove community.

You must also submit a typed, 500 word, statement which critically introduces your submitted project work locating it contextually, theoretically and aesthetically.





I have decided to interview one of my sister's friends who she lived with during her time at university. His name is Fred Cassman, he owns and operates his own e-cigarette business which he started many years ago whilst he was studying at university. I thought this matched the criteria of the objective as the electronic cigarette business has in somewhat 'flourished' in the last 10 years and the fact Fred has now opened up a store for his business in town means he must have some impact upon the community. 

From listening to the radio from a young age, hearing countless interviews in various formats I understand that the most engaging type of interview contain:
- A gripping subject matter, relevant to society.
- They sound more like a conversation rather
- Have a fair and unbiased outlook on the subject matter

I aim to incorporate these aspects into my own project.





Securing the Interviewee:

Once I had chosen my subject, I enquired with my sister as to whether she would ask Fred if he would consider having an interview with me about his e-cig business and he willingly agreed. I then got in contact with him over facebook and informed Fred about where the interview would take place, how long it would be and what sort of interview this was going to be. I thought it would be best if the interview was recorded in a studio booth on campus as this was going to be a informative speech package in the form of an interview, so I wanted there to be clarity within the dialogue, thus having no ambient sound distraction and pure concentration on the dialogue. When we both came to a conclusion of where and when the interview would take place, I then had to construct interview questions for the interview and research the topic area of discussion - electronic cigarettes.


Research & Planning:

By this stage, I knew little about the electronic cigarette. I used to sell a form of electronic cigarettes in the supermarket I used to work in and I knew that they were a way of helping smokers to quit tobacco/nicotine by smoking a replication of cigarette smoke, almost like a vaporiser pen and I knew you could get them in different shapes and sizes and flavours. But I had no concrete understanding of what e-cigarettes are and their impact on people and the community.

So I researched the electronic cigarette and found a few interesting articles and interviews online such as:

1. E Cigarette Uptake & Marketing - A Report Commossion by Public Health, England

https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/311491/Ecigarette_uptake_and_marketing.pdf


Notes:


- E-Cigarettes are battery operated devices that aim to simulate combustible cigarettes. They do not contain tobacco - they operate by heating nicotine and other chemicals into a vapour that is inhaled.

- The role of the tobacco industry in manufacturing and promoting e-cigarettes, while continuing to sell conventional cigarettes, has been questioned.

- There are concerns about the current marketing of e-cigarettes and whether that marketing may appeal to children.

- E-Cigarette market is estimated to be worth £91.3million a year (3) It increased by 340% in 2013 to reach £340 million by 2015.

- In the UK, there are an estimated 1.3million e-cigarette users.

- The first e-cigarette on the UK market to be available as a medicine will be manufactured by a tobacco company.

- The marketing may appeal to children as well as adults. They are marketed as a cheaper, healthier alternative to smoking and also positioned as socially attractive and part of a rapidly growing trend.



2 . Whether they're called 'e-cigarettes' or 'vaporisers' the market is heating up!

http://www.theguardian.com/business/2014/jun/26/e-cigarettes-market-vaporisers

This article, written by Rebecca Smithers for the Guardian this year goes onto discuss E-cigarettes marketing and industry and how the merging of tobacco companies in the e-cigarette business are impacting the business.



3. An Interview with an inventor of the E-Cigarette Herbert A. Gilbert


This article helped me come up with a structure for my interview and how even though I'm running the interview, the vast amount of talking shall come from my interviewee
http://www.ecigarettedirect.co.uk/ashtray-blog/2013/10/interview-inventor-e-cigarette-herbert-a-gilbert.html#comments




3. An Interview about the E-Cigarette with Dr. Jonathan Foulds

http://www.witf.org/smart-talk/2014/03/smart-talk-e-cigarettes-patient-portals.php




Constructing the Interview Questions:

Now I had more information about the e-cigarette business and how they worked, back up with stats and statistics, I could now construct an interview with questions that could trigger a debate with Fred as well as to informing the listeners. I knew that the speech package I was constructing could seem a bit patronising to certain members of the audience who may already be aware of the e-cigarette business and how it's developed, but the point of this speech package was to inform the uninformed. On the other hand, I wanted this speech package to inform the listeners about what an e-cigarette is and how they have impacted Fred's life and others around him.
I wanted this piece to be personal to Fred, rather than a broad discussion of the e-cigarette industry on a national level. I constructed a script for the interview which I sent to Fred a couple of days before the interview so he was aware of what he was going to be asked to prevent as much stuttering and pondering in the interview when it came to the informative questions I had planned. Here are the questions I have planned to ask him:


Questions:

1.    So Fred, tell us a little bit about e-cigarettes, what are they and how they operated


2.    How you first get involve with the e-cigarette business to eventually having a store in Brighton?

3.     E-Cigarette usage in the UK has tripled to two million in the last two year. Why do you think they’ve become so popular?

4.     I’ve seen e-cigarettes come in all shapes and sizes, some looking exactly like a cigarette and others appear to look like ink pens or tyre gauges? I guess what I’m trying to get at is how do you know if someone’s using an e-cigarette?

5.    There over 10 million adult smokers in the UK, so it’s a huge market, It’s also very expensive here, with cigarettes costing up £8 for a packet of 20. How much do e-cigarettes cost?

6.    What impact do you think you’ve had in the community since opening you store in Brighton?


7.    There are concerns about the current marketing of e-cigarettes and whether that marketing e-cigs may appeal to children. They are marketed as a cheaper, healthier alternative to smoking and also positioned as socially attractive and part of a rapidly growing trend according to a report commissioned by the Public Health. What do you make of this Fred? Do you think the way e-cigarettes are advertised promote smoking?

8.    What do you make of the health issues surrounding e-cigarettes? The big question many of us ask about them is, are they safe or harmful?

9.    Do you believe they’re the first step to stopping smoking?


10. Some analysts argue that the entrance of big tobacco firms into the industry sector blurs the line between e-cigarettes and conventional tobacco, thus making e-cigarettes a gateway for users into actually smoking… Do you think this is true?

11. How do you feel about the big multinational tobacco companies monopolising on the industry?

12. Do you have else you want to say to us before we run out of time?


I thought having 12 questions would be more than enough questions to cover the 3-5 minute window of the interview and that not all these questions would even get asked as some could trigger a more lengthy answer for discussion or that Fred may give a simplistic answer. 




Interview Plan

As my interview for a radio show is a speech package to inform, I'll need to put my interview into context for the listener. Therefore, I shall open the piece on stating statistics of the e-cigarette industry and how popular they have become in the UK, then I'll introduce my interviewee. If my piece is going to be more personal towards Fred, I also need to explain to the listener who he is and his affiliation with the e-cigarette market before going into the discussion about the positives and negatives of the e-cigarette market and how Fred's business starting from deliveries from his bedroom to opening his own store in Brighton. Once the core piece of the interview is done I shall also need to add an outro for my piece which I want to conclude the piece and a poignant rhetorical question which will leave the listener thinking about the speech package they just heard, making it a more memorable piece. It may even be more emphatic if Fred ended the piece.






Post Production of the Interview


Now that the interview was recorded, I would have to edit the piece to cut out stuttering and pondering between questions as well as giving the dialogue certain sound effects to give a more clear and natural feeling interview. By using Adobe Audition I was able to put on effects such as reverb and vocal enhancers to the interview which gave the interview my desired sound effect. Since the interview I had recorded was over 10 minutes long, I would have to cut out a big majority of the interview to keep within the project criteria as well as insuring that the transition was fluid between each question. Some of my questions had to be re-recorded as Fred's voice sounded a lot more dominant compared to mine so this needed to be balanced. As this was recorded in a voice over booth, I added a parametric equaliser effect which will adjust the frequencies within the interview to a centre frequency. Thanks to Mike Russell's video tutorials on YouTube (https://www.youtube.com/watch?v=6x__NthInRs) I was able to manipulate the audio into a more professional sounding speech package. I also re-recorded my own questions in the interview so my questions were moulded around his answers and also gave more voice more depth and dominance than the first recording as I was sitting a little further away from the microphone. Many cuts of stutters were also taken out from the piece which gave the interview more pace.





Conclusion

I enjoyed this project. It pushed me to use technology that I had never used before and also to communicate and contact with people which I've never met. Fred was a great person to interview, he clearly had a sound knowledge on the field of electronic cigarettes and it was a pleasure to go for a coffee with him after the interview where he offered me a possible weekend job for his company! Editing the interview was the most tedious part of the project as it consume a lot of my time find the right effects for the sound piece and of course cutting down the feature time. If I could improve any aspect of my interview it would be to add an outro to summarise the speech package/interview or possibly to of got Fred's business partner involved in the interview as well which would give the interview more depth of debate. In regards to what I aimed for, I believe my piece was engaging and relevant to everyday life in the society we live in. It's debatable that my interview had an unbiased outlook, however my piece became a more informative piece which promoted Fred's business. I believe this project was successful and has taught me a lot of interview skills as well as giving me confidence with sound recording equipment and software.


Click Below to Play


Sunday, 2 November 2014

Practice Interview

Practice Interview Homework


Brief:
Conduct a short 2-4 minute interview with a subject of your choice.

Aim:
I will conduct an interview with my friend, Gus who lives with me on East Slope on university campus. I would like to try and find out more about who they are as people so I shall ask 21 questions (similar to the guessing game you can play) and see if they have any interesting responses that I could dwell on in the interview. I aim to ask invasive as well as simple questions to try and catch them of guard so I can gain a more natural and honest response.

Added Notes:
I did not show them the questions I prepared prior to the interview as to enhance the natural feel of the interview. The interview took place at in town, as this was the chance I had with the Marantz audio recorder before handing it back in an hour later.  However, I recorded the interview with a dynamic microphone as I did not want any others sounds but our voices to be picked up by the microphone, but this would be near impossible whilst walking through town. We had a cardioid audio pattern created as I placed the microphone in between myself and the interviewee.


Interview Link to my SoundCloud below

Possible Questions:

1. Name, occupation?
2. What is your biggest weakness?
3. What would you do with £1m?
4. If we we're sitting here this time next year celebrating what a good year it's been, what would you like to have achieved?
5. What do you think your greatest achievement is so far?
6. Do you possess a talent/skill or anything out of the 'ordinary'?
7. What got you into making music?
8. How did you wind up getting a record deal?
9. What performances have you done? Biggest/Best
10. Who's going to win the Premier League this season?

Conclusion:
I though the interview was a success and I got what I aimed for which was becoming more comfortable with using microphones and hearing my own voice back and finding ways to make my tone seem more radiogenic. 

https://soundcloud.com/gwhale25/practice-interview-with-gus

Reading Notes: Speech Packages (Radio in Context)

SPEECH PACKAGES IN CONTEXT

Speech Package - informs listeners about a subject in which the radio station considers they will find interesting. (Rubbin and Ibbotson, 2002)

These packages are used in news bulletins or programmes and can range from 2-60 minutes.

Feature - a 'stew' containing every ingredient in the medium. (Kaye and Popperwell 1992)
Wrap - a short, simple package which may consist of a reporter delivering a script or a short interview. Billboard are extended news wraps.




Packages may be used to educate and entertain as well as inform. In essence, a 'package' tells a story (most of the time true, rather than fictional)

An important ingredient in many packages in actuality
- This is to add variety and colour to the narrative of the package delivered by the reporter.
- This could be spoken word from an interviewee or non-verbal sound effects.

Other comments may take the form of vox pops
- These are a range of opinions, edited together in a juxtaposition which invites the listener to compare different responses.

It is vital that the content and style of the package must suits its main purposes as well as it being appropriate for the target audience.





MAKING PACKAGES

Target audience and subject matter are the first decisions you need to make when its comes to relating to context.

- Deal with the subject in the way that most fairly intelligent members of the audience will be able to understand what is being said. Some radio shows specify to a certain target audience. eg. medical profession. (it would be time wasting and patronizing to explain to a wide audience)

- Find an appropriate idea!
This can be done via brainstorming. It really helps inspiration strike.

TRY TO BE ORIGINAL. Listeners get bored with the same material being endlessly recycled. Try and tell them stories which they don't know.







FINDING AN ANGLE

The choice of angle will influence the type of interviewees to be included. Finding the right potential interviewee is down to how relevant they are to the package. For example, a chief constable would be a good option if you were doing a package on crime. 
A person's opinion only constitutes worthwhile evidence for inclusion in a package in this way if he or she has some form of credentials that are appropriate to the role. 

Each perspective might have an important role to play in the package, bit its also important not to use the interviewee in the wrong way. Make sure that you know that you interviewee will actually have a good response. 

Finding the right interviewee may take a considerable amount of research. Make sure these people sound appealing on the microphone and not monotone. This may be because they voices aren't radiogenic. Ask if they could recommend someone?

Remember stuttering can be reduced in the editing stage. 





INTERVIEWING FOR PACKAGES

Be realistic with who you chose to interview, celebrities and politicians may be hard to come by as they receive numerous requests from journalists elsewhere.

Remember both legal and ethical issues involved in being over persistent in your approach to find an interviewee.

DON'T PROVIDE QUESTIONS IN ADVANCE
- With inexperienced interviewees who lacks confidence, they tend to prepare answers which sound boring and scripted when recorded and not 'real'
- It is often useful to compromise to just indicated to interviewees what areas of their specialist knowledge you're going to ask about

Try to make as little promises as possible before the interview so you are not liable for anything.






PLANNING INTERVIEWS

Make it relevant and focused! Find out about the subject matter and try and find opinionated questions to ask. The quality of research for your questioning is likely to show in the quality of the finished piece.

Remember there are Primary Sources:
- First hand information; face-to-face interviews, talking over the phone; written emails or letters

Secondary Sources
- Second hand information; books, web pages, radio programmes, videos, newspapers, CDs and magazine.

All research you do, you must check the reliability. Eg. Books are strict on publication but anyone can write anything on the web.

Questions are intended to draw the interviewee into providing the detail, the concepts or the real-life experience and observations that can be more clear. 

REMEMBER TO LISTEN TO THE ANSWERS! Its bad if your interviewee makes and really good point but you don't follow it up.

Have a combination of open and closed questions

LOCATION OF INTERVIEW CAN BE VITAL- Be sure to have the right equipment for the right environment. 
- In a studio there is minor ambient sound and high quality equipment. Be sure to use the right equipment if your outside to block ambient sounds or if your taking a recording on the phone 

















PROJECT #1: Soundscape

Project: Part #1 - Soundscape

The word "soundscape" was coined by composer R. Murray Schafer to identify sounds that "describe a place, a sonic identity, a sonic memory, but always a sound that is pertinent to a place" (Wagstaff, G. 2000).

Aim/Objective:

You are required to plan, research and produce a two to five minute ‘audio soundscape’ or ‘acoustic portrait’ of a geographical place of your choice. This will include a range of self-sourced associated or abstract sounds that help illustrate the space.

I aim to create a soundscape for a futurisitc city environment or metropolis in which the viewer can identify and connect with. I will have to make use of synthesised sounds as well as making use of natural sources. Ben Burtt said when set out to create a soundscape for a synthetic world when he was creating the sound design for the Star Wars saga. He would use sounds from the real world and alter them as these would be sounds that the spectator would almost familiar with and not finding them an abnormality. 

I will use a similar process to but and if I succeed, I shall end up with a extraordinary soundscape of busy central city. The soundscape would be perfect in films such as Brazil (1985), Superman (1978) or Blade Runner (1982). Finding sounds that would fit the criteria I wanted would take a lot of planning and research.


Plan/Research:

In order to create the soundscape of a 'metropolis' from scratch, I need to identify the layers of sounds within the sonic environment which could occur. Therefore, I went to Waterloo in Central London and Brighton town as well and notified any sounds I heard within the soundscape of the city. I did this by doing a sound walk to get a familiarity with the sounds ground sounds of a city and to work out what my figure sound would be for my piece.

Some of the sounds in which I noted down are as follows:

- Cars (engines, honking, door slams)
- Traffic (lights/horns)
- Public transit (tubes, trains, taxis, boats)
- People (conversations, commutes, shouting, swearing, laughter, street performers, announcements)
- Wind (patterns, gusts, gales)


I also searched sound cloud for any possible related soundscapes and I found some inspirational pieces and noted down any significant elements.


"Metropolis is a soundscape that explores existence in the city. Engines hum, signals sound and flicker, pedestrians whirr, light cascades through endless alleys and the relentless ebb and flow of the man-made tide pushes on."

A short journey through a teeming metropolis. Try to piece together the path of our traveller through the conversations, announcements, and other sounds present in this soundscape


These soundscapes sound similar to the soundwalks I did around central London and Brighton town centre, except an apparent use of sound effects were used on some of the layers to distort the piece from reality, giving it an eerie, futuristic film. This made me realise I would need ground sounds from the real world to set the basis of the location of my soundscape as the listeners of the piece would be able to make the connection and have some understanding of where this could be. I can add other sounds to that I could even construct myself and add reverb and echo to them to add and eerie sense of the future and distortion to the piece. Therefore, I had to locate and record various sounds using equipment such as the K6 Microphone, Marantz two way audio recorder and an iRig.



Self Sourced Sounds:

I have to find, record and edit 20 different sound effects and compile them together in order to create a specific sound scape - a Metropolis. The sounds effects I was able to compile weere:

1. Water Hose
2. Hoover
3. Helicopter
4. Traffic lights
5. Cars on the move
6. Busy shopping center
7. Ventilation systems 
8. Iron gate
9. Cash machine
10. Helicopter in the sky

11. Bus
12. Guttering
13. Footsteps
14. Children
15. Train Station
16. Waitrose
17. Cars
18. Horns
19. Alarms/Intercoms
20. Water

The first 10 sounds where recorded in Brighton and the second lot where from my travels in London and taking public transport back to university. Some where reconstructions of actual sounds.



Post-Production/Sound Editing:


With the help of Adobe Audition CS6, I was able to compile and layer the sound clips I had collected. However, I couldn't just use the sounds as they had been recorded. I have used effects on individual layers on the soundscape to give it a eerie and futuristic feel. During the editing process, I realised that my soundscape began to sound more like a busy transport station of some sort as the majority of the sounds I had collated where of different modes of transport such as bikes, cars, trains, helicopters and walking. I used various affects on them such as reverb, auto-delay, echo with partial distortion in some areas. By adding these effects it took the piece away from reality, it needed a more natural feel to it. Therefore, I went out to record some ambient sounds such as rain and wind to bring the piece 'back to reality'. After hours of manipulating the layers and effects of the piece, cutting and fading I ended up with a success piece which I believe sounded like a soundscape for a busy central city station. Not quite what I intended but a more than fair attempt.




Click below to hear my soundscape



Brainstorming Ideas for Acoustic Portrait & Interview

Acoustic Portrait

Brief: You are required to plan, research and produce a two to five minute ‘audio soundscape’ or ‘acoustic portrait’ of a geographical place of your choice. This will include a range of self-sourced associated or abstract sounds that help illustrate the space.



Rain forests - Rain, birds, leaves, wind, insects, animals, waterfalls, rustling

Warzone - Thunder, wind, marching, guns, footsteps, shouting, explosions, cars, buckles

Metropolis - people, alarms, cars, ringing, people walking, vents

Countryside - grass rustling, farm animals, river, insects, wind

Paradise - waves, palm trees, seagulls, sand, kids playing on sand

Space station - electronic hums, beeps, swiper doors, alien footsteps




METROPOLIS - Make a metropolis (Cityscape)

20 sound clip recordings ideas - 




Interview

Brief: You are required to submit a three-minute edited interview with a single individual of your choice for presentation on local radio. You must choose someone who you feel has something to say to the Brighton & Hove community.



Jodie Goffe - Musician/Student @ Sussex Uni

Freddie (sister's friend) - E-cigarettes, independent industry in Hove

























Soundwalks

Soundwalks


  1. soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology."
  2. Using my iPhone 5 voice recorder, I have managed to record to 'soundscapes' whilst doing sound walks around Brighton. I've uploaded these sound walks onto my SoundCloud account. Below are the links to my soundscapes.

Brighton Soundwalk



This is a soundscape which I created on Adobe Audition with use of the BBC Sound FX library.

Warzone Soundscape